When creating Toraverb, we did not base it on any current reverb unit available in the market. We did not implement any “off-the-shelf” algorithm. Toraverb is not a classic type reverb unit like spring, room, hall or plate. Toraverb is a concept algorithm reverb. Using a set of easily accessible parameters, it allows the user to create practically ANY type of reverb.

Drumazon is an emulation of the classic Roland TR-909 drum machine / beatbox, offering all the original functions plus many additional features.

Nithonat is a fully synthesized drum machine based on the classic Roland TR-606. The unique sound of this machine has been used by many artists over the years in the production of Electro, Hip-Hop, R'n'B, etc.

Nithonat emulates the original 606, however, since Nithonat is software based, D16 were able to enhance the original with extra functionality.

Nepheton is an emulation of the classic Roland TR-808 drum machine taking its sound a step further with all the original functions and many additional features.

The Digital Songstream is the first practical guide to getting up and running in the new digital world of music. Cutting through myths, it offers a step-by-step introduction to what's possible for performers, composers, and listeners-addressing legal and ethical issues as well as the nuts and bolts of what equipment to buy and what services are available.

Sound Synthesis and Sampling provides a comprehensive introduction to the underlying principles and practical techniques applied to both commercial and research sound synthesizers. This second edition has been rigorously updated throughout and includes a new chapter on performance, examining how synthesizers have become embedded within more sophisticated musical performance instruments.

Electronic and Experimental Music details the history of electronic music throughout the world, and the people who created it. From the theory of sound production to key composers and instrument designers, this is a complete introduction to the genre from its early roots to the present technological explosion.

This book examines the intellectual history of instrumental music, in particular the idea of absolute music. It tries to show how certain ideas in philosophy, theology and the sciences affect the meaning and, indeed, the existence of instrumental music, and how, in turn, instrumental music is used to resolve or exemplify certain problems in modern culture.

The most fundamental debate in the philosophy of music involves the question of whether there is an artistically important connection between music and the emotions. Many theories of the nature and significance of music as an art form have maintained that at least one important value of music is its capacity to represent, express, communicate, or symbolize a variety of extra-musical emotions or a certain aspect of emotion.

This accessible introduction to the issues and problems of music philosophy explores various accounts of what counts as music, how music works, and what music is good for. Designed to introduce musicians without philosophical backgrounds to the vitality of music philosophical discourse, it surveys diverse perspectives on the nature and value of music extending from the pre-Socratic Greeks to contemporary critiques.