The Passive-Active Pack is a collection of three very different equalizers, each with its own character and quirks. The equalizers contain emulations of real workhorse equalizers, used on thousands of recordings from past to present.

Metal Amp Room was designed to bring you the most brutal, evil and aggressive sound that is possible to squeeze out of your DAW. It was co-developed with Patrik Jensen (The Haunted) and tailored to his needs. The continuous mic placement from Vintage Amp Room is back, but this time with twin mics with adjustable stereo panning. Get a huge stereo sound with complex adjustable phasing effects, a plain old one-mic-right-against-the-cone, or anything in between. The cabinets were measured in the In Flames studio (previously known as Studio Fredman) by Tue Madsen and Patrik Jensen. "I have to say I was very surprised when I heard the results. It really does sound like the way I record guitars and it makes me want to do a lot more setups for them."

Screaming guitar feedback made easy

Release your inner beast with the first realistic guitar feedback simulator on the market. Go from moderate and subtle to rampant and wild by the twist of a knob (or two). To break new musical ground, try inputting a synthesizer, a violin, or even your mother’s grand piano.

Bass Amp Room was designed to handle all your bass amp needs, from dirty rock to modern clean, keeping two equally important goals in mind. The first was to give the user the best possible sound quality. The latter was to create an intuitive plug-in which allows for a really fast work flow. Time is money, but cutting down on time shouldn't mean you have to accept poor results.

Straightforward and simple, Vintage Amp Room emulates three great guitar amps in a complete studio set-up with speaker cabinets and fully flexible microphone positioning. It’s easy to use for live performances and recordings, as well as for re-amping and last-minute tweaking.

Tube Delay is a marriage between analog and digital, combining the warmth and natural compression from tubes with the features and versatility of a digital delay. The effect is perfect for fattening vocal tracks, adding slapback echo to drums or getting a gritty delay for guitars!

Tube-Tech CL 1B is a true studio classic, heard on tons and tons of records for the past 20 years. Like its hardware counterpart, the Tube-Tech CL 1B native plug-in sounds soft, smooth, groovy and can compress an insane amount of dB's without sounding bad.

Many "modeled" compressors are nothing more than futile attempts to get an off-the-shelf algorithm to match its hardware counterpart by tweaking a few parameters like the knee and attack/release times. But anyone who has worked with hardware compressors knows that there must be more to it. And there is.

New collection of the best samples in the style of Hip-Hop R & B Beat Box and a fresh set for DJ's - Acapellas Vocals

Brand new from Germany's Ueberschall, Drum'n'Bass Resonance is the ultimate in construction kits. Your house is going to quake. This CD contains really cool and tricky drum loops, intense sub-basses and much more. The loops are broken down with the complete mix, then the drum loop, then all of the individual sounds and sub-basses. This CD is just waiting to be loaded...

Get ready to take it to the next level. Acclaimed producer Eric Persing's newest creation features an entire library of his trademark, cutting-edge loop manipulations. Each one of the hundreds of amazing remix grooves are truly unique in texture and feel. From floating, atmospheric Trip Hop pulsations, to experimental euro-club beats....and all the way to intense, Drum 'N Bass fury, this is an extremely versatile library for creative film composers, producers and remixers.

A sound effects series from Point 12, Paris. See http://sound-ideas.com/audiopro.html

A sound effects series from Point 12, Paris. See http://sound-ideas.com/audiopro.html

Spring Reverb is an authentic spring reverb recreation that will add vintage character and grit to any audio track. It also includes novel features such as a fully automatable Shake control that will shake the virtual strings around for those thunderous spring effects, and a Tension control that tightens or loosens the springs to cover a wide range of spring reverb sounds.